The first movement opens with an expansive introduction which contains a miniature exposition, development and recapitulation, suggesting Sonata form within the movement’s larger Sonata form structure. Schubert’s Ninth Symphony would serve as a profound inspiration for Schumann’s own symphonic aspirations. It wasn’t until 1838, ten years after the composer’s death, that Robert Schumann discovered the manuscript and brought it to Felix Mendelssohn, who conducted a performance at the Gewandhaus in Leipzig on March 21, 1839. Perhaps due to its length and the technical demands it placed on musicians, the Ninth Symphony was neglected in the immediate years after Schubert’s death. But while Beethoven’s music developed in bursts of short motivic cells, Schubert, the composer of over 600 songs, tended to perceive music melodically. Schubert’s Ninth rose to the new, heroic scale of Beethoven’s symphonies. The nickname, “The Great” was intended to differentiate the work from the “Little” Symphony No. Which brings us back to Schubert’s Ninth…Sketched during the summer of 1825, a year after the completion of Beethoven’s epic Ninth Symphony, the “Great” C major Symphony was a radical departure from the small-scale elegant charm of Schubert’s earlier classical symphonies. Those who have written a Ninth stood too close to the hereafter. It seems as if something might be imparted to us in the Tenth which we ought not yet to know, for which we are not ready. He who wants to go beyond it must pass away. Gustav Mahler completed the first, haunting Adagio movement of a Tenth Symphony before he died in 1911.Īrnold Schoenberg captured the mythic aura of the “ninth symphony” in this excerpt from an essay about Mahler: Brian Newbould attempted to complete and orchestrate the symphony (listen here). Sketched during the final weeks of Schubert’s life, the score wasn’t authenticated until the 1970s. When Franz Schubert died at the tragically young age of 31, he left behind a piano score for what would have become his Tenth Symphony. Anton Bruckner died without completing the final movement of his Ninth Symphony. Yet, as the final, soft chords of its “Farewell to Life” Adagio fade away, the symphony feels strangely complete. To be fair, some of these composers wrote slightly more or less than nine symphonies. They stand as awe-inspiring musical revelations. In one way or another, all of these works, written in the final years of their composers’ lives, move beyond the ordinary into strange, mysterious and transcendent territory. The symphonic output of Beethoven, Schubert, Bruckner, Dvořák, and Mahler culminated with a ninth symphony. 9…Throughout music history, this title has occupied a mythic place in the collective imagination.
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